Available July 31, 2018
When I was young, I was frequently chastised for being "too sensitive." I wasn't a wimpy sort of kid; I just felt everything -- deeply. If I was happy, I was practically delirious. When I really felt something, I was frequently accused of being melodramatic. I truly was not trying to get attention. I was just a little different from my very tightly-wound family. I projected thoughts and feelings onto everything from animals to bedsheets. I remember the weighty impact certain realizations made on me when I became aware of them: the vast number of people in the world each living their own life of which I was completely unaware, the horror of being homeless, my cousin Katie who died in a household accident before I ever knew her and who still remains six dressed in a plastic halloween costume in my mind -- that's the picture I had seen.
Maybe this is why the luminous story of Chula Santiago and her much-coveted friend, Petrona, resonates so deeply for me. Chula is a child who believes in ghosts and communicates her feelings to cows via impassioned "moo" sounds. She is also a girl who watches, listens and reads the adult world around her. Chula feels everything -- deeply.
Despite being set in Bogotá during the Pablo Escobar saga, this book is not Narcos. It is a "normal" yet strange and magical childhood taking place amid extremely unusual circumstances. Two girls from two very different worlds form an unusual bond while the world around them shapes each in her own way. It takes us on a trip from exuberant child in Bogotá to a refugee shadow in East L.A. and shows us how need or suffering can bend and transform anyone. Despite all of that, this is no sad tale.
The story opens when Chula's mother is looking for a new "girl" to serve as a maid in their middle-class Bogotá household. The maid, Petrona, is in actuality a 13 year old girl who has to work rather than go to school because her family has been through its own horrors as the result of the narco-war and now lives in a sort of shanty-town of pervasive poverty. As the oldest girl of nine children, Petrona has largely become maid and mother figure to her own family and now must become the breadwinner, which brings her to the Santiago household.
Petrona is a mystery to Chula and her sister Cassandra, who hunt the neighborhood for the Lost Souls of Purgatory and play "ding-dong-ditch" all the while trying out the adult words that swim in their minds. They wonder if she is a poet, saint, witch or possibly under a spell. Passionate Chula is impressed with how little Petrona speaks and counts every syllable that comes from her mouth. She is a mystery in their otherwise conventional lives.
Behind all the childrens' silliness is the very real war of Pablo Escobar with the Colombian and US governments. In Chula's voice Escobar is both a television star and an entirely inhuman monster, an ever-present source of questions and gossip who serves as an entrée into the grown-up world. The Santiagos work around Escobar's war in the most mundane ways. He is an unusual inconvenience for a family that wants to go to the mall or a movie until events and the news press their way into Chula's consciousness.
The book overlays a story onto a real timeline of Colombia. True historical events happen in the fictional story. It's done with a deft grace and while it's not a history book, there are events in this book that even I, an American 'tween at the time, still remember.
Real heart runs through all of the characters in this story. From the always-working Papá and his observation that the cows may have recently read Sartre to Mamá's advice on dealing with men and other beings to Petrona's thoughts and private worries and the two Santiago sisters who are strong-willed each in her own way.
Eventually, after the Santiago family has welcomed Petrona as much as they ever will and Chula gets her wish of a real bond with Petrona, the country's horrors force their way through the Santiago's door and Chula is forced to begin to grow up -- differently, though correspondingly -- to the way Petrona had before the two ever met.
Ingrid Rojas Contreras gives us a very authentic child's voice with laugh-aloud moments and devastating truths sometimes in the same sentence. Chula is haunted by images and events in the way only children can be -- simple and profound all at once. I've been asked not to quote, but I found this a welcome rendering of a fascinating girl that took me back to the magical kingdom of childhood.
And then it dumped me, along with Chula and Petrona and all the other characters into the confusing world of adulthood with all its cloying tragedy, but we are all still alive.
The novel deals deftly with class differences and the way having enough or far too little molds children. It does a commendable job at showing the way tragedy can morph a confident and spirited child into a anxious mute, squelching any room for passion or flights of fancy. The only thing I want now is to know what became of these two young women after the book ended. I do so wish I could quote the final sentence, uttered in Petrona's voice...
My copy has so much highlighting noted as "beautiful" or that made me giggle at Chula's strong spirit, the highlights became useless. Fruit of the Drunken Tree broke my heart a hundred times and fully restored it almost every time. So good, though I've read it, I finished and immediately pre-ordered a hardback copy to keep for myself and read again.
2 : a literary genre or style associated especially with Latin America that incorporates fantastic or mythical elements into otherwise realistic fiction (from Merriam Webster)
The book isn't being marketed, at least in its advanced review copy, as magical realism, and I don't really think it is. But since the story is told through the eyes of a child, and children live in their sometimes magical imaginations perhaps especially children raised in the Catholic religion, this broadly fits the category and would probably appeal to anyone who can immerse themselves fully in the world of a lusciously-written character on a page.
I received an advanced reader's copy of Fruit of the Drunken Tree from NetGalley and this is my honest review.
A few interesting Colombia/Author things: